Peavey ED-100 User manual

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[EID-1OO

OPERATING

GUIDE

READ BACK

COVER

FOR

FURTHER

WARNINGS.

WARNING

TO

PREVENT

ELECTRICAL

SHOCK

OR

FIRE

HAZARD,

DO

NOT

EXPOSE.

THIS

APPLIANCE

TO

RAIN

OR

MOIS-

‘TURE.

BEFORE

USING

THIS

APPLIANCE,

GENERAL

DESCRIPTION

The

ED™

100

is

a

self-contained

amplification

system

which

features

inputs,

equalization,

and

monitor

capability

specifically

designed

for

use with

electronic

drums.

The

ED-100

will

deliver

65

watts

RMS

into

its

heavy-duty

15"

Scorpion?

speaker.

Peavey

design

engineers

have

also

included

a

special

constant-directivity

horn

for

faithful

reproduction

of

high

frequency

signals.

To

protect

the

speakers

and

to

prevent

clipping

distortion,

the

ED-100

features

Peavey's

patented

DDT"

compression

circuitry.

Since

the

ED-100

has

been

designed

specifically

for

use

with

electronic

drum

systems,

it

offers

many

features

not

found

on

other

amplification

systems.

Independent

monitor

mixing,

four-band

active

EQ,

and

complete

effects

patching

capability

allow

the

drummer

to

realize

maximum

potential

from

today's

electronic

drum

systems,

The

ED-100

is

built

to

withstand

the

rigors

of

a

night-after-night

touring

environment.

The

cabinet

is

con-

structed

of%"

wood

and

is

covered

with

the

heaviest

available

34

oz.

Tolex®,

Ruggedness

is

enhanced

by

theuse

of

heavy

steel

corners

and

a

steel-reinforced

carrying

handle.

Internally,

the

ED-100

features

chassis

construc-

tion

of

heat

treated

aluminum

alloy

and

utilizes

the

finest

components

available.

Although

the

ED-100

incorporates

many

sophisticated

features,

its

operation

is

relatively

simple.

In

order

to

quickly

familiarize

yourself

with

the

ED-100,

and

to

avoid

potentially

hazardous

or

damaging

situations,

please

read

this

operating

guide

carefully

and

completely

and

keep

it

handy

for

future

reference.

BASIC

SETUP

AND

CONNECTIONS:

The

ED-100

features

two

channels

which

differ

in

input

equalization.

The

normal

channel

is

essentially

“Yat”

(no

input

equalization)

and

is

designed

primarily

for

amplification

of

bass

drum

signals.

The

bright

channel

is

equalized

to

enhance

high

frequency

signals

and

is

designed

primarily

to

accept

signals

from

the

snare

drum

and

tom-toms.

Most

electronic

drum

system

mixers

provide

two

outputs

for

adjusting

the

mix

of

individual

orum

signals.

To

interconnect

ihe

drum

mixerto

the

ED-100,

use

two

high-quality

shielded

connecting

cables.

Connect

one

‘end

ofeach

cable

to

each

of

the

mixer’s

outputs.

Connect

the

other

end

of

‘each

cable

to

a

channel

input

ofthe

ED-100.

Then

adjust

the

drum

system

mixer

to

route

individual

crum

signals

to

the

eppropriate

channel

of

the

ED-100.

Since

individual

drum

system

manutacturers

differ

in

mixer

contgura-

tion,

acomplete

discussion

of

mixer

adjustments

is

beyond

the

scope

of

This

manual.

Consult

ne

owners

manual

of

your

drum

system

for

specific

instructions

regarding

channel

assignments.

A

basic

mix

for

use

with

the

ED-100

might

look

like

this:

eries

-D

FRONT

PANEL

FEATURES:

CHANNEL

INPUTS

(AE)

As

discussed

in

the

Basic

Setup

Section,

the

Channel

Inputs

receive

signals

from

the

drum

system

mixer

outputs.

These

inputs

are

high

impedance

and

will

accept

signals

over

a

wide

dynamic

range.

CHANNEL

GAIN

CONTROLS

(B,F)

The

Channel

Gain

Controls

allow

individual

volume

adjust-

ments

of

each

incoming

signal.

Adjusting

the

individual

Chan-

nel

Gain

Controls

will

affect

both

the

overall

loudness

of

the

ED-100's

output

and

the

balance

between

channels.

Some

experimentation

will

benecessary

to

determine

the

best

overall

balance

between

channels.

Regardless

ofthe

typeof

electronic.

m

system

used,

setting

of

the

Channel

Gain

controls

above

12

o'clock)

is

not

recommended.

Setting

the

Channel

Gain

controls

above

"5"

may

result

in

unwanted

distortion

and/or

premature

engaging

of

the

DDT

Compression

Circuit

(see the.

DDT

Compression

Section

for

further

information).

MONITOR

CONTROLS

(C,G)

Each

channel

is

provided

with

a

Monitor

Controland

monitor

preamp.

These

controls

are

completely

independent

o!

the

ED-

100's

internal

signal

flow;

signal

from

these

controls

is

routed

directly

to

the

monitor

jacks

on

the

rear

pane!

(see

the

Monitor

Jacks

Section

for

further

information).

EFFECTS

PATCH

JACKS

(D,H)

Each

channel

is

provided

with

a

stereo-type

Effects

Patch

Jack.

These

jacks

are

used

with

external

devices

to

provide

independent

effects

loop

capability

for

each

channel.

To

patch

an

effects

device

into

a

channel,

a

stereo

"Y"

cord

should

be

used.

First,

turn

the

Channel

Gain

Control

to

its

"0"

‘setting,

Insert

the

stereo

plug

inio

the

effects

patch

jack.

insert

the

"Tip"

plug

into

the

effects

input

jack.

Insert

the

"Ring"

plug

Into

the

effects

output

jack.

Then

slowly

increase

the

Channel

Gain

Control

setting

until

a

satisfactory

level

has

been

achieved.

Note

that

all

signals

in

a

channel

(except

monitor.

signals)

will

be

sent

through

any

effect

patched

into

that

chan-

nel.

Also

note

that

the

Effects

Patch

Jacks

occur

in

the

signal

path

before

the

equalization

stage

(pre-EQ).

Therefore,

any

effects

signal

will

be

altered

by

changes

in

the

equalization

controle

(soo

the

Equalization

Controls

Section

for

further

information)

EFFECTS

DEVICE

EFFECTS

PATCHING

USING

EFFECTS

PATCH

JACK

EQUALIZATION

CONTROLS

(1)

The

ED-100is

equipped

with

four

bands

of

equalization,

each

adjusted

by

one

of

the

four

Equalization

Controls.

These

con-

trols

are

"stacked"

on

the

front

panel.

The

inner

knob

on

the

left

stack

is

the

Low

Frequency

Control,

while

the

outer

knob

is

tor

Low

Mid

frequencies.

In

the

right

stack,

the

outer

knob

regu-

lates

High

Mid

frequencies,

while

the

inner

knob

is

the

High

Frequency

Contro.

The

ED-100

features

active

equalization,

which

means

that

frequencies

within

any

band

may

be

either

cul

or

boosted.

Setting

any

Equalization

Control

to

"0"

delivers

a

"flat"

(unal-

tered)

frequency

response

lor

that

band.

Rotating

an

Equaliza-

tion

Control

clockwise

will

boost

frequencies

within

that

band,

while

rotating

counterclockwise

will

cut

that

band's

frequen-

Extreme

care

should

be

taken

when

boosting

low

frequen-

Low

frequencies

consume

a

disproportionate

amount

of

amplifiers

power,

and

overboosting

low

frequencies

may

lead

to

loss

of

headroom

(amplification

capability)

and

to

pos-

sible

speaker

damage.

Extreme

boost

of

any

Equalization

Con-

trol

should

be

avoided

to

ensure

quiet

operation.

MASTER

GAIN

CONTROL

(K)

The

Master

Gain

Control

regulates

the

totalamplificationand

headroom

of

the

ED-100.

in

normal

operation,

the

Master

Gain

Control

should

be

set

at

or

near

"10"

to

allow

maximum

head-

room

and

dynamic

range

and

to

prevent

distortion.

HEADPHONE

JACK

(L)

‘The

Headphone

Jack

allows

the

use

of

any

stereo

headset

with

the

ED-100.

When

a

plug

is

inserted

into

the

Headphone.

Jack,

the

amplifiers

internal

speaker

automatically

is

discon-

nected,

creating

a

totally

private

rehearsal

environment.

Note

that

the

headphone

system

will

not

work

with

headsets

equipped

with

a

mono

phone

plug.

DDT"

COMPRESSION

CIRCUIT

AND

COMPRESSION

LED

M)

Une

ED-100

utilizes

Peavey's

patented

DDT

(Distortion

Detection

Technique)

Compression

Circuit

to

virtually

elimi-

nate

the

possibility

of

clipping

distortion

in

the

power

ampliifer

and

speakers.

The

DDT

Circuit

performs

its

function

automati-

cally

and

is

not

adjustable.

The

DDT

Circuit

will

not

engage

until

the

ED-100

is

utilizing

all

available

output

power.

When

this

occurs,

the

Compression

LED

will

light.

In

normal

playing,

the

ED-100

should

be

set

so

that

the

Compression

LED

lights

only

on

very

loud

passages.

If

the

Compression

LED

remains

constantly

lit,

this

indicates

that

the

Channel

Gain

and/or Master

Gain

Controls

are

set

too

high,

or

that

too

much

boost

equalization

is

being

used.

In

this

iation,

control

settings

should

be

reduced

until

the

Com-

pression

LED

fires

only

intermittently.

The

Compression

LED

will

sometimes

illuminate

when

the

ED-100

is

turned

on.

T!

normal

and

does

not

indicate

a

malfunction

of

the

ampiifier.

GROUND

SWITCH

(0)

The

Ground

Switch

is

a

three-position

rocker

switch

which

should

normally

be

operated

inits

center

or

"0

position.

Occa-

sionally,

a

situation

may

arise

in

which

noticeable

hum

or

noise

comes

from

the

ED-100's

loudspeakers.

If

this

should

occur,

switching

the

ground

switch

to

either

positive

(+)

or

negative

(-)

should

eliminate

or

minimize

the

noise.

If

hum

or

noise

prob-

lems

persist,

consult

your

Authorized

Peavey

Dealer

or

a

quali-

fied

service

technician.

NOTE:

THE

GROUND

SWITCH

IS

NOT

FUNCTIONAL

ON

220/240

VOLT

EXPORT

MODELS

ON/OFF

SWITCH

AND

POWER

LED

(P.N)

The

On/Oft

Switch

is

a

two-position

rocker

switch

which

provides

AC

power

to

the

ED-100.

When

the

switch

is

in

the

On.

position,

the

red

Power

LED

will

illuminate

showing

that

power

is

being

supplied

to

the

unit.

Q

aes

ae

REAR

PANEL

FEATURES:

LINE

CORD

(Q)

For

your

safety,

the

ED-100

is

equipped

with

a

three-wireline

(mains)

cord

and

a

three-pin

AC

plug.

It

is

not

advisable

to

remove

the

ground

pin

under

any

circumstances.

If

it is

neces-

sary

to

use

the

ED-100

without

proper

grounding

facilities

(as

when

only

two-wire

AC

service

is

available),

a

suitable

ground-

ing

adaptor

should

be

used.

When

the

ED-100

is

used

with

properly

grounded

AC

receptacles,

shock

hazard

is

greatly

reduced,

as

are

hum

and

noise.

MONITOR

JACKS

(R.S)

Two

Monitor

Jacks

(one

for

each

input

channel)

are

provided.

Signal

to

these

jacks

is

controlled

by

the

Monitor

Controls

(see

the

Monitor

Controls

Section)

and

is

not

affected

by

any

Gain

or

Equalization

Controle.

Signals

from

these

jacks

may

be

used

to

feed

monitor

amplifiers,

sound

reinforcement

systems,

record-

ing

consoles

or

other

equipment.

PREAMP

OUT AND

POWER

AMP

IN

JACKS

(T.U)

The

Preamp

Out

and

Power

Amp

In

Jacks

provide

another

form

of

effects

patching

within

the

ED-100.

Effects

may

be

patched

between

the

preamp

and

power

amp

according

to

the

following

diagram.

Be

sure

to

use

high-quality

shielded

cables

when

connecting

any

effects

device

with

the

ED-100.

Connect-

ing

an

effects

device

at

the

Preamp

Out

and

Power

Amp

In

Jacks

differs

in

two

ways

from

effects

patching

discussed

ear-

liorin

the

Effects

Patch

Section.

First,

any

effect

patched

at

this

point

will

affect

all

signals

in

both

channels

within

the

amplifier

[except

monitor

signals).

Secondly,

this

effects

paich

point

occurs

after

the

ED-100's

equalization

stage

(post-EQ).

In

experimenting

with

effects

patching,

you

may

note

differences

in

the

operation

ofan

effects

device

depending

on

its

location

in

the

signal

path.

LINE/RECORDING

JACK

(V)

The

Line/Recording

Jack

provides

a

means

of

sending

a

low

impedance

signal

to

the

mixer,

recording

console

or

additional

amplifier.

Signals

appearing

at

this

jack

are

post-EQ

and

con-

tain

information

received

from

both

input

channels.

ED-00

outeur

EFFECTS

DEVICE

PREAMP

INPUT

EFFECTS

PATCHING

USING

PREAMP

IN

AND

PREAMP

OUT

ED-100

SPECIFICATIONS

SUMMARY

OF

FUNCTIONS:

“Two

channels

in

withPre

EQ

Patch

and

four-band

‘equalizer

presmp

cut,

monitor

(oaen

channel)

"master

level;

65

watt

power

amp

with

DDT

"com.

pression.

one

neavy-duty

15"

speaker

and

one

PREAMPLIFIER

SECTION:

“Thetollowing

preamp

pecs

aromensured

with

ali

EQ

set lat

(0.63),

master

evel

set

at

10.

Nominal

S

Minimum

loves

ar

with

charne

level

controle

seta

10.

INSTRUMENT

INPUTS:

Impedance:

High

Z.

100K

ohms

Nominal

input

Level:

-19

28V.

110

mv

RMS

Minimum

Input

Leve:

-39dBV,

11

mv

RMS

PRE

EQ

PATCH

OUTPUT

(STEREO

JACK

TIP):

Lond

Impedance:

10K

ohms

or

greater

Nominal

Output

-A

ABV.

Sev

RMS

PRE

EQ

PATCH

INPUT

(STEREO

JACK

RING):

Function

Low

Level

feci

Return

Impedance:

High

Z

100K

ohms

Designed

Input

Leva:

-8.5

ABV,

38V

AMS

(Swicning

stereo

jack

providing

patch

output

to

patch

input

connection

when

not

used)

PREAMP

OUTPUT:

Function

High

Levei

Post

EQ

Signal

Send

Noninal

Output:

0

dBV,

1V

AMS

Maximum

Output

+18

JBV.

BV

RMS

Tolee*

is

aregissered

trademark

of

DiversiTech

General

POWER

AMP

INPUT:

Function:

High

Level

Post

EO

Signal

Return

Impedance:

High

Z.

22x

onms

Designed

Input

Level

O

BV,

1V

AMS.

(Gwichinglack

providing

preamp

outputto

power

mp

input

connection

when

not

used)

UNE

ReconDING

OUTPUT:

Function:

Additional

preamp

output

‘Nominal

Output

-0

dV.

IV

RMS.

THE

FOLLOWING

specs

MEASURED

AT

NOM!

NAL

SETTINGS:

ALL

CHANNEL

INPUTS

TERMI-

NATED

WITH

47K

OHMS:

FREQUENCY

RESPONSE

(Channelin/PreampOut

with

1V

AMS

output:

‘Equalized

for

ED-100

speaker

‘TOTAL

HUM

&

NOISE:

730

dB

below

rated

output

SYSTEM

DISTORTION

(Channel

In/Preamp

Out,

4a

Hz

-20

khz

at

WV

RMS):

Less

inan

08%

THD,

typical

below

01%

EQUALIZATION:

*4-15

0B

at

60

He

and

10

ke

(shelving)

TIEN

4B

at

400

Hz

and

2

kh

(peak

notch)

POWER

AMPLIFIER

SECTION:

RATED

POWER

AND

LOAD:

‘SEW

AMS

into

B

ohm

with

DDT*

Compression

And

LED

indicator

POWER

AT

CLIPPING

(yp

120

VAC

lino)

TOW

RMS

nto

8

ohms

FREQUENCY

RESPONSE:

50,1

48,

20

Hz

to

20

kHz

at

SOW

RMS

into

B

ohms

TOTAL

HARMONIC

DISTORTION:

Lass than

0.2%,

100

mWto

SOW

RMS.

20Hz

to

10

DDT”

DYNAMIC

RANGE:

DDT"

MAXIMUM

THO:

aes

than

0.3%

THD

for

6

a5

overload

Less

than

1%

THO

for

20

dB

overload

HUM

&

NOISE:

"Greater

than

95

GB

below

rated

power

POWER

CONSUMPTION:

200W,

50/802,

120

VAC

MONITOR

CHANNELS

SECTION:

MINIMUM

INPUT

LEVEL:

256

mY

RMS,

915

BV

for

IV

out

NOMINAL

INPUT

LEVEL.

TV

RMS,

“10.3

ABV

for

1V

out

MAXIMUM

INPUT

LEVEL

32V

AMS,

+10

JBV

without

clipping

INPUT

IMPEDANCE

(each

channel)

"DOK

onmes.

INPUT

IMPEDANCE

(lecta

pate, ether

channel)

TOOK

onma.

Minimum

Load

Impedance:

4

ohms

open

CIRCUIT

OUTPUT

VOLTAGE:

2

minimum:

30V

minimum

with

a250

chm

load

fuseot

he

Headphone

Jack

mures

heloudsponkers)

Dueto

our

efforts

tor

constant

improvement,

features

and

specifications

liste

heren

e

subject

to

change

without

notice.

PEAVEY

ELECTRONICS

CORPORATION

711

A

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