Sennheiser Evolution e 912 Operation and maintenance manual

912

Bedienungsanleitung

Instuctions for use

Notice d‘emploi

Istruzoni per l‘uso

Instruccione para el uso

Gebruiksaanwijzing

e 912_511961_1205_Sp6.book Seite 1 Freitag, 24. März 2006 3:05 15

912

High-quality pre-polarized condenser microphone with

half-cardioid pick-up pattern, acoustically optimized for

speech, vocal and instrument miking.

The 912 is suitable for use in grand pianos or on theater

and opera stages, conference tables, altars, lecterns, etc.

Incidental rear noise is effectively rejected.

The 912 is available in two color variants:

e 912 WH (white) Cat. No. 500648

e 912 BK (black) Cat. No. 500647

e 912_511961_1205_Sp6.book Seite 3 Freitag, 24. März 2006 3:05 15

Features

yFrequency response and sensitivity tailored for

speech, vocal and instrument miking

yVery unobtrusive due to flat design

yExtremely rugged sound inlet basket

yRubber damping plate on base

yMounting slots for mounting the micorphone to e.g.

table tops

yGold-plated XLR connector

yIntegrated electronics (instead of in-line pre-amp)

Delivery includes

y912 microphone

yPouch

yInstructions for use

yWarranty Certificate

e 912_511961_1205_Sp6.book Seite 4 Freitag, 24. März 2006 3:05 15

Positioning the microphone

Boundary microphones make use of the pressure effects

at a room boundary and need to be mounted on a flat sur-

face:

Position Resulting sound Commentary

Altar or lectern:

on a sound-reflecting

surface

Less room resonance

portions or comb filter

elements;

improved speech

intelligibility and

greater gain reserves

in contrast to free-

standing microphones

Unobtrusive due to

flat design;

no microphones in

the field of vision

Conference rooms:

lying on the table;

directed towards the

conference

participants *)

Less room resonance

in contrast to free-

standing microphones

Microphones must

not be covered by

papers, folders or

similar objects

e 912_511961_1205_Sp6.book Seite 5 Freitag, 24. März 2006 3:05 15

*) The cardioid pick-up pattern has an opening angle of

approx. 130°. Try to position the microphone so that the

sound source (conference participant, speaker or

instrument) is located in this angle area (see polar

diagram).

Theater stages:

lying at the edge of

the stage and

directed towards the

stage; as spot

microphone of the PA

system or for

monitoring purposes

in the theater

cloakrooms

Less room resonance

in contrast to free-

standing

microphones;

improved speech

intelligibility

Excellent rejection

of rumble noise; if

necessary, place

the microphone on

a soft pad (e.g.

mousepad).

If necessary,

combine with

overhead micro-

phones (e.g.

Sennheiser ME 36

with MZH 30 B &

MZC 30)

Grand piano / piano:

mounted to the

inside cover (=

sound-reflecting

surface) of the piano

or lying in the

instrument or on the

floor underneath the

piano

Very transparent and

powerful sound;

stereo sound image

can be shaped

individually,

depending on

microphone position

chosen

Instrument is easy

to mike, even

when the cover is

closed;

excellent

protection against

crosstalk into

other microphone

channels and

reduced volume on

stage

e 912_511961_1205_Sp6.book Seite 6 Freitag, 24. März 2006 3:05 15

Polar diagram

Frequency response curve

0°

30°

60°

90°

30°

60°

90°

120°

150°

180°

150°

120°

2000 Hz

4000 Hz

8000 Hz

16000 Hz

125 Hz

250 Hz

500 Hz

1000 Hz

- 40

- 50

- 60

- 70 20 50 100 200 500 1000 2000 5000 10000 20000 Hz

0°, 1 m 0°, 5 cm

- 30

dBv

- 20

e 912_511961_1205_Sp6.book Seite 7 Freitag, 24. März 2006 3:05 15

Specifications

Transducer principle pre-polarized

condenser microphone

Frequency response 20–20,000 Hz

Pick-up pattern half-cardioid

Sensitivity

(free field, no load at 1 kHz) 10 mV/Pa

Nominal impedance (at 1 kHz) < 100 Ω

Min. terminating impedance 1 kΩ

Phantom powering 48 V / 1.1 mA

Max. sound pressure level at 1 kHz 136 dB SPL

Connector XLR-3

Weight 550 g

Dimensions Length: 126.5 mm

Width: 105 mm

Height: 26.5 mm

Pin assignment of XLR-3 connector

12 3

XLR

XLRXLR

e 912_511961_1205_Sp6.book Seite 8 Freitag, 24. März 2006 3:05 15

Overview of microphone applications

Variant

Application

e901

e902

e904

e905

e906

e908B

e908B ew

e908D

e908T ew

e912

e914

e935/e945

Vocals x

Choirs x x

Studio, acoustic

instruments

x x x

Orchestra x

Trumpet, trombone xxx

Saxophone x x x

Acoustic guitar x

Acoustic bass x

Guitar amplifiers x

Bass amplifiers x

Leslie xxxx

Piano, grand piano x x

Kick drums xx

Snare drums xxx x

Rack toms xxxx x

Floor toms xxxx x

Congas xxx x

Cymbals x

Percussion xxxx x x

Overhead

Conference table,

altar

Lectern x

Theater stage x

e 912_511961_1205_Sp6.book Seite 9 Freitag, 24. März 2006 3:05 15

Manufacturer declarations

Warranty

2 years

Approval

Sennheiser electronic GmbH & Co. KG declare that this device

is in compliance with the applicable CE standards and regula-

tions.

Batteries or rechargeable batteries

Please dispose of batteries or rechargeable batteries as special

waste or return them to your specialist dealer.

WEEE Declaration

Please dispose of this product at the end of its operational li-

fetime by bringing it to your local collection point or recycling

centre for such equipment.

e 912_511961_1205_Sp6.book Seite 10 Freitag, 24. März 2006 3:05 15

Sennheiser electronic GmbH & Co. KG

30900 Wedemark, Germany

Phone +49 (5130) 600 0

Fax +49 (5130) 600 300

www.sennheiser.com

Printed in Germany Publ. 12/05 511961/A01

e 912_511961_1205_Sp6.book Seite 46 Freitag, 24. März 2006 3:05 15

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