Linix Manual v1.00
Instructions
Six Independent VCAs
The simplest way to use the Linix is to ignore any of the summing CV and mixing functionality
and just use it as up to six independent VCAs:
● Connect the output signal from the source to IN 1. The source can be anything, any
oscillator, LFO, envelope, or any other audio or CV generator.
● Connect OUT 1 to the input of the destination.
● Connect a modulating signal to CV 1. The modulating signal can also be anything but is
typically the output of an envelope generator or LFO. Interesting effects can be had
when using audio-rate sources like oscillators.
● Turn BIAS 1 fully counterclockwise to remove any CV bias.
● Adjust the CV input attenuator and Linear / Exponential Response control to taste.
You can repeat the above instructions for all other channels to get six totally separate VCAs.
Level Bias
The BIAS control of each channel can be used to bias, or set a base level for the channel’s
response. In this way you can set the “default” amount of signal passing through the VCA, and
then adjust it using external CV. One situation where this is useful is when controlling amounts
of modulation. For example when the output of one oscillator is being connected to the FM input
of another, the Linix can be used to vary the FM amount:
● Connect the sine output of oscillator 1 (the modulator) to IN 1 of the Linix.
● Connect OUT 1 of the Linix to the FM input of oscillator 2 (the carrier).
● Use BIAS 1 to set the FM amount (index).
● Connect an envelope to CV 1 and adjust the attenuator. The envelope can now be used
to vary the FM index during each note played.
Summed Mixing
The inputs of the Linix have a summing feature, allowing it to be used as a mixer:
● Connect up to five sources to IN 1 through IN 5.
● Take the output from the SUM jack.
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