Shure PG48 User manual
English
Italiano
Français
Español
Deutsch
Português
ŏ6KXUH,QFRUSRUDWHG
$5HY
!!!performance
gear™
microphone
guide
6+85(,QFRUSRUDWHGKWWSZZZVKXUHFRP
8QLWHG6WDWHV&DQDGD/DWLQ$PHULFD&DULEEHDQ
:7RXK\$YHQXH1LOHV,/86$
3KRQH86)D[,QWO)D[
(XURSH0LGGOH(DVW$IULFD
6KXUH(XURSH*PE+3KRQH)D[
$VLD3DFLILF
6KXUH$VLD/LPLWHG3KRQH)D[
,WċV<RXU6RXQGŐ
3ULQWHGLQ86$
(QJOLVK
plug in.
play
out.
Welcome to the club
Your new PG microphone is part of a complete vocal, instrument and drum
microphonefamily.It’srealgearforseriousplay.Soyoucanamplifyyourmessage.
Capturetheimaginationofyouraudience.Andmakeaconnectionwithyoursound.
Just as artists, visionaries and social leaders across generations and around the
world have done with Shure products for more than 75 years.
Up and running fast
PGmicrophonesareengineeredtobeeasytooperate.ThePowerUpguideonthe
insidepackagecoverwillhaveyoureadytogoinnotime.Formoredetailedsetup
and usage suggestions, please see page 4 of this guide.
2YHUYLHZPage 2
8VDJHDQG6HWXSPage 4
)HHGEDFNPage 65
7HFKQLFDO6SHFLILFDWLRQVPage 68
0LFURSKRQH&DUHPage 70
$FFHVVRULHVPage 72
0LFURSKRQH*ORVVDU\Page 74
&HUWLILFDWLRQPage 77
)XOO7ZR<HDU:DUUDQW\Page 78
!
!
!
!
!
!
!
!
!
3*0LFURSKRQH2YHUYLHZ
9RFDO0LFURSKRQHV
(QJOLVK
&DUGLRLG '\QDPLF
3*
9RFDO0LFURSKRQH
A great microphone for spoken
word applications.
7DLORUHG
$SSOLFDWLRQV
Lead Vocals
Back up Vocals
&DUGLRLG '\QDPLF
3*
9RFDO0LFURSKRQH
A rugged microphone tuned to
accentuate the clarity of lead and
back up vocals.
!3DJH
7DLORUHG
$SSOLFDWLRQV
Guitar Amplifier
Brass and Saxophone
&DUGLRLG '\QDPLF
3*
,QVWUXPHQW0LFURSKRQH
Aversatilemicrophoneforusewith
amplified or acoustic instruments.
.
!3DJH
7DLORUHG
$SSOLFDWLRQV
Acoustic Guitar
Cymbals
Piano
2WKHUDSSOLFDWLRQV
Strings
Woodwinds
Ensembles
&DUGLRLG &RQGHQVHU
3*
,QVWUXPHQW0LFURSKRQH
A sensitive, flat response microphone ideal
for use with acoustic instruments.
%DWWHU\RUSKDQWRPSRZHUUHTXLUHG9GF
!3DJH
)ODW
,QVWUXPHQW0LFURSKRQHV
$SSOLFDWLRQV
Speech
Karaoke
!3DJH
$SSOLFDWLRQV
Kick Drum
Bass Amplifier
&DUGLRLG '\QDPLF
3*
.LFN'UXP0LFURSKRQH
A high-performance microphone
specifically tuned to capture low-
end punch.
!3DJH
7DLORUHG
$SSOLFDWLRQV
Snare Drum
Rack/Floor Toms
Percussion
&DUGLRLG '\QDPLF
3*
6QDUH_7RP0LFURSKRQH
A compact drum microphone for
closemiking.Drummountincluded.
!3DJH
7DLORUHG
0LFURSKRQH7LSV
'UXP0LFURSKRQHV
The following suggestions will help you get the best sounding results
from your PG microphones:
)RUDFFXUDWHVRXQGUHSURGXFWLRQ
use one microphone per sound source.
7RDYRLGIHHGEDFNDQGXQZDQWHGURRPQRLVH aim the micro-
phone directly toward the sound source and away from reflective
sources and loudspeakers. IRUGHWDLOVVHHSDJH
)RUH[WUDEDVVUHVSRQVHDQGOHVVURRPQRLVH work close to the
microphone.
7RPLQLPL]HWKHSLFNXSRIXQZDQWHGKDQGOLQJQRLVH
avoid excessive handling with vocal microphones.
:KLOHFRQQHFWLQJRUGLVFRQQHFWLQJWKHPLFURSKRQH
keep the microphone switch in the “OFF” position.
+ROGYRFDOPLFURSKRQHVE\WKHLUKDQGOHV
and avoid covering the grille with your hand.
!
!
!
!
!
!
(QJOLVK
3*8VDJHDQG6HWXS
3*9RFDO0LFURSKRQH
Usage
6SRNHQ:RUG
.DUDRNH
/HDGDQG
%DFNXS
9RFDOV
Desired Response
1DWXUDOVRXQG
Minimal “p” popping
and “s” sounds.
5REXVWVRXQG
Maximum isolation
from other sources.
5REXVWVRXQG
Emphasized bass,
maximum isolation
from other sources.
Setup
cm _ in
away from the mouth, slightly
off to one side.
cm _in
away from the mouth,
directly in front of microphone.
cm _in
away from the mouth,
directly in front of microphone.
3*9RFDO0LFURSKRQH
(QJOLVK
Usage
*XLWDU
$PSOLILHU
%UDVVDQG
6D[RSKRQH
Desired Response
0RVWDWWDFN
Emphasized bass.
6KDUSDWWDFN
Higher frequency
sound.
0HGLXPDWWDFN
Balanced sound.
%ULJKW
Clear sound.
Setup
cm_in
away from speaker, centered directly in front of
speaker cone.
cm_in
away from speaker, at the edge of speaker cone.
cm_in
awayfromspeaker,directlyinfrontofspeakercone.
cm_in
away from the instrument and directly in
front of the bell.
3*,QVWUXPHQW0LFURSKRQH
(QJOLVK
3*8VDJHDQG6HWXS
3*,QVWUXPHQW0LFURSKRQH
Usage
$FRXVWLF*XLWDU
&\PEDOV
3LDQR
Desired Response
0RUHEDVV
Goodplacementwhen
leakage or feedback
is a problem.
%DVVKHDY\
Full sound.
:DUPPHOORZ
Less detail.
1DWXUDO
Wellbalanced,slightly
bright.
1DWXUDO
(hi-hat)
1DWXUDO
(overhead)
1DWXUDOEULJKW
1DWXUDOEDO
DQFHG
Setup
cm_in
from the sound hole.
cm_in
from the sound hole.
cm_in
from the bridge.
cm_in
above the side, over the bridge.
cm_in
aim microphone down toward cymbal, a few
inches over edge.
cm_in
above drummer’s head.
cm_in
just over open top, above treble strings. Good
placement when only one microphone
is used.
cm_in
just over open top, one microphone above
bassstrings,onemicrophoneabovetreblestrings
for stereo.
(QJOLVK
Usage
.LFN'UXP
%DVV*XLWDU
$PSOLILHU
Desired Response
6KDUSDWWDFN
Maximum bass
sound,highestsound
pressure level.
0HGLXPDWWDFN
Balanced sound.
6RIWDWWDFN
Balanced, resonant
sound.
6KDUSDWWDFN
Emphasized bass.
6KDUSDWWDFN
Higher frequency
sound.
0HGLXPDWWDFN
Full, balanced sound.
Setup
cm_in
away from beater head (inside drum), slightly
off–center from beater.
cm _in
away from beater head (inside drum), directly in
front of beater.
cm_in
awayfromoutsidehead,directlyinfrontofbeater
(double head kick drum only).
cm_in
from speaker, directly in front of the center of
speaker cone.
cm_in
from speaker, at edge of speaker cone.
cm_in
from speaker, directly in front of the center of
speaker cone.
3*.LFN'UXP0LFURSKRQH
(QJOLVK
3*8VDJHDQG6HWXS
3*6QDUH_7RP0LFURSKRQH
Usage
6QDUH
7RPV
3HUFXVVLRQ
Desired Response
0RVWDWWDFN
Crisp “snap.”
0HGLXPDWWDFN
Full, balanced sound.
0RVWDWWDFN
Natural sound.
Insertthethreaded
end of the drum
mount knob into
the PG56.
Rotatetheknobon
the drum mount
clockwise until it
is tight. Do not
overtighten with
tools.
Clampthebottomof
thedrummountover
the outside edge of
the drum rim.
Pull up to lock into
desired postion.
Insert the XLR
connectorintothe
end of the PG56.
Setup
WRcm_WRin
above rim of top drum head. Aim mic at drum
head.
WRcm_WRin
one PG56 on each tom, or between each pair of
toms, above drum heads. Aim each mic at top
drum heads.
WRcm_WRin
above rim of top head of drum. Aim mic at drum
head.
3*'UXP0RXQW,QVWUXFWLRQV
124
3
(QJOLVK
)HHGEDFN
*What is feedback?
During the normal operation of any sound system, sound produced by the loudspeakers can be
pickedupbythemicrophones,re-enterthesystemandbecomeamplified.Atcertainpointsthiscan
cause the system to create a noisy, sustained “howl” known as feedback.
)HHGEDFN
)HHGEDFN
(IIHW/DUVHQ 5HDOLPHQWDFLÊQ
5ÚFNNRSSOXQJ
+RZWRDYRLGIHHG
EDFN
1. Position the front of the
microphone as close as
possible to the sound
sourceyou’retryingtomic.
2. Keep the microphone as
far away as possible from
loudspeakers.
Other manuals for PG48
1
This manual suits for next models
5
Other Shure Microphone manuals
Shure
Shure BG 4.1 User manual
Shure
Shure ALTA PGA181-XLR User manual
Shure
Shure Microflex MX400S User manual
Shure
Shure 527B User manual
Shure
Shure KSM44A User manual
Shure
Shure 570S User manual
Shure
Shure Microflex M300 Series User manual
Shure
Shure R98B User manual
Shure
Shure Microflex MX400SE Series User manual
Shure
Shure SM89 User manual
Shure
Shure 548 User manual
Shure
Shure Microflex MX391 Series User manual
Shure
Shure KSM9 User manual
Shure
Shure SM12A User manual
Shure
Shure Microflex Advance MXA910 User manual
Shure
Shure PGA27 User manual
Shure
Shure 520DX User manual
Shure
Shure 56628 User manual
Shure
Shure Microflex MX200 Series User manual
Shure
Shure SLX Wireless System Specification sheet
