Sennheiser Evolution E 906 User manual
e 906
Instruction manual
e 906 | 2/8
Delivery includes
Delivery includes
• e 906
• microphone clamp MZQ 100
• pouch
• quick guide
• safety guide
Product overview
FRONT
4
2
3
1
1. Sound inlet basket
2. 3-position slide switch for adjusting the presence filter
3. XLR-3 connector
4. Front
e 906 | 3/8
Installation
Installation
Attaching the microphone
Screw the microphone clamp to a stand.
Place the microphone with its back end into the microphone clamp.
Orient the microphone together with the microphone clamp.
Connecting the microphone
Connect the XLR-3 socket of the microphone cable (optional accessories) to the XLR-3 socket of
the microphone.
e 906 | 4/8
Operation
Operation
Positioning the microphone an a guitar amp
The front of the microphone must face the guitar amplifier.
A B C
It is vital to observe the following notes:
Position Resulting sound Commentary
A many trebles
aggressive sound microphone directed towards the dome of the
loudspeaker
B less trebles, more lower
mids, smoother sound
balanced, natural sound
good starting position:
microphone directed towards the middle between
dome and edge of the loudspeaker
If necessary, turn the microphone by approx. 30°
towards the edge.
C less trebles, more lower
mids, smoother sound microphone directed towards the edge of the
loudspeaker
Positioning the microphone on a drum
The front of the microphone must face the drum.
D E
It is vital to observe the following notes:
Position Resulting sound Commentary
D more fundamental tone
little overtones position on the drum:
• 3–5 cm above the batter head
• directed towards the center of the batter head
The fundamental tone to overtones ratio can be
adjusted via the angle. The most balanced results are
obtained at an angle of 30–60°.
E less fundamental tone
many overtones
e 906 | 5/8
Operation
Positioning the monitor loudspeakers
To prevent feedback and crosstalk, postion your monitor loudspeakers in the angle area of the
highest cancellation of the microphone (approx. 120°).
120°
Adapting the sound characteristics
The e 906 features a switchable presence filter which allows to adapt the microphone to the diffe-
rent sound requirements and styles (see frequency response).
Use a pointed tool such as a small screwdriver to move the 3-position slide switch to the desired
position.
Position Setting Suitability
boosted presence range e.g. for aggressive metal rhythm guitars
normal presence range e.g. for classic rock
attenuated presence range e.g. for warm and smooth jazz and blues sounds
The mid frequency of the presence filter is 4.2 kHz.
e 906 | 6/8
Cleaning and maintaining the e 906
Cleaning and maintaining the e 906
CAUTION
LIQUIDS CAN DAMAGE THE ELECTRONICS OF THE PRODUCT!
Liquids entering the housing of the product can cause a short-circuit and damage the electronics.
Keep all liquids away from the product.
Do not use any solvents or cleansing agents.
Disconnect the products from the power supply system and remove rechargeable batteries and
batteries before you begin cleaning.
Clean all products only with a soft, dry cloth.
Specifications
Transducer principle dynamic
Frequency response 40 - 18,000 Hz
Pick-up pattern super-cardioid
Sensitivity (free field, no load) 2,2 mV/Pa
Nominal impedance (at 1 kHz) 350 Ω
Min. terminating impedance 1 kΩ
Connector XLR-3
Dimensions 55 x 34 x 134 mm
Weight 140 g
e 906 | 7/8
Specifications
Polar pattern
125 Hz
250 Hz
500 Hz
1,000 Hz
2,000 Hz
4,000 Hz
8,000 Hz
16,000 Hz
30°
0°
180°
150°
120°
60°
90°
0
5
10
15
20
25
dB
30°
0°
180°
150°
120°
60°
90°
Frequency response
-40
-50
-60
-70
-80
-90
50
100
200
500
1,000
2,000
5,000
10,000
20,000
Hz
dBV
(0°, 1 m)
Connector assignment
12
3
+
+
12
3
12
3
+ +
12
3
+
+
12
3
+
+
XLR 6.3 mm
XLR
6.3 mm
XLR
XLR
XLR
UNBALANCED
BALANCED
e 906 | 8/8
Overview of applications
Overview of applications
Primary application
Secondary application
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e 602 II
e 604
e 608
e 609 silver
e 614
e 835
e 845
e 865
e 901
e 902
e 904
e 906
e 908
e 914
e 935
e 945
e 965
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