Sennheiser Evolution e 835 User manual

Bedienungsanleitung

Instructions for use

Notice d‘emploi

Istruzioni per l‘uso

Instrucciones para el uso

Gebruiksaanwijzing

835 835 S

e 835_511655_0106_Sp6.book Seite 1 Mittwoch, 8. Februar 2006 10:09 10

e 835_511655_0106_Sp6.book Seite 2 Mittwoch, 8. Februar 2006 10:09 10

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e 835_511655_0106_Sp6.book Seite 183 Mittwoch, 8. Februar 2006 10:09 10

e 835_511655_0106_Sp6.book Seite 184 Mittwoch, 8. Februar 2006 10:09 10

835 / 835 S

The 835 is a cardioid lead vocal stage microphone

specially designed to perform under pressure.

Its balanced frequency response maintains signal quality

when moving on and off axis during performance. The

gentle presence boost ensures vocal clarity and

projection. The minimal proximity effect provides for

consistently clear bass-end performance when singing

closer to, or further from the microphone.

The cardioid pick-up pattern provides e

xcellent feedback

rejection,

enabling the microphone to handle higher

soundpressurelevels.Theruggedmetalconstructionand

internal damping isolates handling noise.

The 835 S variant features a silent

ON/OFF switch

e 835_511655_0106_Sp6.book Seite 3 Mittwoch, 8. Februar 2006 10:09 10

Features

yRugged metal body

yExcellent feedback rejection

yShock-mounted capsule provides excellent suppressi-

on of handling noise

yUniform on- and off-axis response

yCardioid pick-up pattern provides isolation from other

on-stage signals

yHumbucking coil

Delivery includes

y835 / 835 S microphone

yMZQ 800 microphone clamp

yPouch

yInstructions for use

yWarranty Certificate

ON/OFF switch ( 835 S only)

Use the screw to lock the switch in the ON position. With

the switch set in the ON position, gently turn the screw

head 90° to lock the switch in position.

e 835_511655_0106_Sp6.book Seite 4 Mittwoch, 8. Februar 2006 10:09 10

Pin assignment of XLR-3 connector

Removing the sound inlet basket

12 3

XLR 6,3 mm

12 3

XLR

6,3 mm

symmetrisch

XLR

balanced

e 835_511655_0106_Sp6.book Seite 5 Mittwoch, 8. Februar 2006 10:09 10

Positioning the microphone

If sibilance or “popping” occurs, position the microphone

not directly in front of the mouth but slightly to the side.

In order to prevent feedback, position monitor loud-

speakers so that they are located in the angle area of the

highest cancellation of the microphone.

In order to prevent interference due to crosstalk between

adjacentsoundsources,trytopositionthemicrophoneso

that the interfering sound source is located in the angle

area of the highest cancellation of the microphone

(approx. 180°; see polar diagram).

Position Resulting sound Commentary

High proximity effect

(much bass/

fundamental)

Powerful, direct sound

Very little crosstalk

from other sound

sources

Less proximity effect

(less bass/fundamental)

Some room ambience,

natural, balanced sound

More crosstalk from

other sound sources

Very little proximity

effect (little bass/

fundamental)

More room ambience,

indirect sound

Much crosstalk from

other sound sources

e 835_511655_0106_Sp6.book Seite 6 Mittwoch, 8. Februar 2006 10:09 10

Polar diagram

Frequency response curve

000

8000

6000

500

000

- 7

500

000

5000

0000

- 4

e 835_511655_0106_Sp6.book Seite 7 Mittwoch, 8. Februar 2006 10:09 10

Specifications

Transducer principle dynamic

Frequency response 40.....16,000 Hz

Pick-up pattern cardioid

Sensitivity

(free field, no load at 1 kHz) 2.7 mV/Pa

Nominal impedance 350 Ω

Min. terminating impedance 1 kΩ

Connector XLR-3

Weight 330 g

Dimensions Ø 48 x L 180 mm

e 835_511655_0106_Sp6.book Seite 8 Mittwoch, 8. Februar 2006 10:09 10

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