Elvid STUDIOVISION SRM-5X3-4KH User manual

USER MANUAL

STUDIOVISION

SRM-5X3-4KH

Triple 5 in. Rackmount Monitors

MENU EXIT FN INPUT MENU EXIT FN INPUT MENU EXIT FN INPUT

SRM-5X3-4KH

STUDIOVISION 4K

PRECAUTIONS

• Keep this product away from water and any

ammable gases or liquids.

• Do not expose this product to humidity or extreme

heat or cold.

• Make sure this product is powered off when

plugging it into a power source.

• Use only the correct, recommended voltage.

• Do not attempt to disassemble or repair this

product.

• Do not place or store the monitor facedown, since

this can damage the screen.

• Handle this product with care. Avoid any impacts to

this product.

• Do not block the vents in this product.

• Disconnect this product from its power source

before storage and during electrical storms.

• Do not use chemical solutions to clean this product.

Clean it with only a soft, dry cloth.

• Keep this product away from children.

• Make sure that this product is intact and that there

are no missing parts.

• To avoid damage to this product, be careful not

to overtighten or improperly thread any of the

threaded ttings.

• Exposure to high sound levels can cause permanent

hearing loss. Avoid listening at high volumes for

extended periods of time.

• All images are for illustrative purposes only.

THANK YOU FOR CHOOSING ELVID.

The Elvid SRM-5X3-4KH rackmount monitoring system ts three 5-inch, full HD monitors into a standard 19-inch

machine rack. The LCD panels’ native 1920 × 1080 resolution provides a sharp image and facilitates precise color

rendering. The monitors feature HDMI and SDI inputs with loop outputs, and their native aspect ratio of 16:9 ts

most popular video formats. Both monitors have a 160° viewing angle, so no matter where you place them in a studio,

location, or broadcast truck, you’ll view the picture in crisp detail.

Each monitor features 3G-SDI and HDMI 2.0 inputs and loop outputs so you can view one signal on both monitors, or

a separate signal on each. Easy-to-access menus let you select which of the many monitoring and broadcast tools to

display on each side. An assignable function button on each monitor gives you the option of putting specic tools at

your ngertips. User-supplied 3-D LUTs can be loaded via the USB port, and Ethernet software control is supported

via the Ethernet port. A DE-15 Tally connector is compatible with standard tally systems for monitoring in broadcast

applications. The triple monitor supports up to 8 audio channels, and headphone outputs for each panel allow you to

monitor the sound from either input signal.

TABLE OF

CONTENTS

Overview��4

Setting Up the StudioVision Rackmount Monitor��6

Using the StudioVision Rackmount Monitor��7

Picture Menu��9

Marker Menu��10

Function Menu ��10

Waveform Menu ��11

Audio Menu ��11

System Menu ��12

Supported Resolutions and Frame Rates��13

Specications ��14

Troubleshooting��15

OVERVIEW

ALSO INCLUDED

• Power adapter

• Tally wiring harness

MENU EXIT FN INPUT MENU

EXIT FN INPUT MENU EXIT FN INPUT

SRM-5X3-4KH

STUDIOVISION 4K

GRY

LCD1

LCD2

LCD3

GND

4,9,14

IN HDMI OUT IN SDI O

UT IN HDMI OUT IN SDI OUT IN HDMI OUT IN SDI OUT

FRONT

BACK Power switch

12V DC power input

LAN port

Tally port

USB port

MENU EXIT FN INPUT MENU

EXIT FN INPUT MENU EXIT FN INPUT

SRM-5X3-4KH

STUDIOVISION 4K

GRY

LCD1

LCD2

LCD3

GND

4,9,14

IN HDMI OUT IN SDI OU

TIN HDMI OUT IN SDI OUT IN HDMI OUT IN SDI OUT

HDMI 2.0 input

HDMI 2.0 output 3G-SDI input

3G-SDI output

LCD screen

Headphone output

Menu button

Navigation buttons

Exit button

Function button

Input selector

Power button

MOUNTING THE MONITOR

The StudioVision Rackmount Monitor ts into any standard 19-inch

machine rack and takes up two standard rack spaces (2U).

Use standard 10-32 or M6 rack screws to attach the monitor into

the rack at all four corners.

INPUT SIGNAL

The three monitors can simultaneously display different video

signals or use loop-through outputs to display the same signal on

both monitors.

Connect the video source to an SDI or HDMI input. Once the

monitor is powered on, the picture is immediately visible. The

StudioVision monitor’s image processor automatically scales the

signal to t the screen.

Attach three separate sources to each monitor:

Plug HDMI sources into the HDMI inputs 1, 2, and 3 on the rear

panel.

Plug SDI sources into the SDI inputs 1, 2, and 3 on the rear panel.

View a Single Source on All Monitors:

Use one monitor to view the input video, and the others to display

selected scopes. Or view the signal with different overlays on each

screen�

Connect the monitor 1 HDMI or SDI output to the monitor 2 input.

Then connect the monitor 2 output to the monitor 3 input.

Important! The SRM-5X3-4KH does not support cross conversion.

The HDMI OUT plug will not output an SDI signal.

The SDI OUT connector will not output an HDMI signal

SETTING UP THE STUDIOVISION

RACKMOUNT MONITOR

OUTPUT SIGNAL

The HDMI and SDI outputs will send unmodied video signals

corresponding to their respective inputs to any downstream video

equipment.

Use the outputs to daisy-chain several StudioVision Rackmount

monitors�

The outputs will send an unmodied signal to downstream gear like

recorders and monitors�

AUDIO

The StudioVision monitor accepts 8 channels of audio. The

headphone output for each side can be set to monitor a different

stereo pair of its incoming signal.

Note: The headphone jack only outputs the audio from its monitor’s

incoming signal. The audio signal does not loop unless the HDMI or

SDI signal is looped to the other monitor.

USB PORT

User-dened LUTs can be imported via the USB port and stored in

the User1–User6 options.

User-dened LUTs must be in .cube format, 3D size must be

17×17×17 or 33×33×33, and data and table order must be RGB. For

the monitor to recognize them, they must be named User1, User2,

User3, User4, User5, or User6 and placed in the root directory of

the drive�

Connect a computer to the USB port on the rear panel to apply

rmware updates from Elvid when available. Firmware updates are

posted on the download page at www.elvidcinema.com.

CONNECTING TO A NETWORK

Connect the StudioVision triple monitor to a LAN via the Ethernet

port on the rear panel.

The StudioVision monitor uses DHCP to obtain the IP address from

the network.

To manually assign an IP address to the StudioVision, see DHCP

and IP Address in System Menu below.

USING THE STUDIOVISION

RACKMOUNT MONITOR

POWERING ON

Plug the power supply into an outlet and into the power input on

the rear panel.

Press the power switch on the rear panel. If necessary, press the

power button for each monitor.

When you turn on the screens for the rst time, an audio monitor,

histogram, vector scope, and RGB waveform scope will appear on-

screen�

To customize the screen appearance, you can turn these features

off or modify them by accessing the menus described below.

ACCESSING THE MENUS

To get the most out of the monitor, make sure the monitor’s settings

are properly congured. All the setting congurations are done in

the six main menus: Picture, Marker, Function, Waveform, Audio,

and System�

MENU NAVIGATION

1. Press the MENU button to enter the main menu, and press the

and buttons to scroll through the six categories.

2. Press the MENU button to select one of the menus and enter the

sub menu list. Press the and buttons to scroll through the

sub menu.

3�Press the MENU button to select the sub-menu function. Press

the and buttons to adjust its value.

4�Press the MENU button to conrm the value.

5�Press the EXIT button to return to the main menu. Press the

EXIT button again to exit the main menu and return to the main

screen�

TALLY

The tally connector accepts signals from switchers and automation

systems, and you can use the StudioVision monitor to indicate the

signal’s status for on-air, preview, or broadcast applications. When

connected, the tally system will place a border around the active

signal�

Refer to the Tally diagram, and your switcher or automation system

documentation to correctly wire the included tally connector for

compatibility.

GRY

LCD1

LCD2

LCD3

GND

4,9,14

FUNCTION BUTTON SETUP

To change the functions assigned to the FN button, follow these

steps:

1. Press and hold the FN button until the function select menu

appears on-screen.

2. Press the and buttons to move through the options until you

arrive at the desired function, and press the MENU button to save

it and return to the main screen�

Menu options for the function buttons are:

Center Marker

Aspect Marker

Safety Marker

Overscan

Scan

Aspect

HDR

Color Space

Gamma

Camera LUT

Check Field

H/V Delay

Freeze

Color Bar

Peaking

False Color

Exposure

Histogram

Full Mode

Waveform

Vector

Timecode

Mute

Level Meter

When a function is assigned to the function button, press the FN

button repeatedly to scroll through the available options for that

function.

RESETTING THE STUDIOVISION RACKMOUNT MONITOR

To erase all settings and return to the factory presets, follow these

steps:

1. Press the MENU button to open the main menu.

2. Scroll down to the System menu and press MENU.

3�In the System menu, scroll down to Reset, and press the MENU

button to activate it.

If you’re ready to reset the monitor, press the or button to

select on. The monitor takes a few seconds to reset and return to

the main view.

QUICK ADJUSTMENTS

When the monitor is powered on, you can make quick adjustments

to the volume and input settings at any time.

• Press the and buttons to activate the volume menu and

change the volume�

• Press the INPUT button to switch between HDMI and SDI input

signals�

• Press the EXIT button to return to the main screen.

INPUT BUTTON

Press the INPUT button to toggle between HDMI and SDI input

signals�

FUNCTION BUTTON

The user-denable FUNCTION button engages monitor functions

you can program to accommodate your specic needs. See Function

Button Setup below for information on changing the function

assignment�

By default, the FUNCTION button is set to Peaking. Press to toggle

the peaking feature.

MENU EXIT FN INPUT

PICTURE

BRIGHTNESS

Adjusts the monitor’s brightness value from 0 to 100. The default

setting is 50.

CONTRAST

Adjusts the contrast value of the on-screen image from 0 to 100.

The default setting is 50.

SATURATION

Adjusts the value of screen color saturation from 0 to 100. The

default setting is 50.

SHARPNESS

Adjusts the value of ne detail of the picture from 0 to 100. The

default setting is 0.

COLOR SPACE

Selects the color space that’s appropriate for your project. Choose

Native (default), SMPTE-C, Rec709, or EBU.

CAMERA LUT

Activates either the Default LUT menu or the User LUT menu. The

default setting is off.

DEFAULT LUT

Available only when Default is selected in the Camera LUT menu.

When Default is activated, select from the list of LUTs that are built

into the monitor�

Select from:

SLog2ToLC-709 (default)

SLog2ToLC-709TA

SLog2ToSLog2-709

SLog2ToCine+709

SLog3ToLC-709

SLog3ToLC-709TA

SLog3ToSLog2-709

SLog3ToCine+709

ArriLogCTo709

ArriLogCToP3DCI

CLogTo709

VLogTo709

JLogTo709

JLogTo709HLG

JLogTo709PQ

and Z7 NLogTo709

D780 NLogTo709 (only when

HDR is off)

USER LUT

Available only when User is selected in the Camera LUT menu.

When User is activated, import up to six user-dened LUTs via the

USB port and store them in the User1–User6 options.

User-dened LUTs must be in .cube format, 3D size must be

17×17×17 or 33×33×33, and data and table order must be RGB. For

the monitor to recognize them, they must be named User1.cube,

User2.cube, User3.cube, User4.cube, User5.cube, or User6.cube,

and placed in the root directory of the drive.

GAMMA

Select one of the preset gamma points. The Gamma menu can be

accessed only when HDR is set to off.

Select off, 1.8, 2.0, 2.2 (default), 2.35, 2.4, 2.6, or 2.8.

BACK LIGHT

Adjusts the intensity of the backlight from 0 to 100. The default

setting is 100.

HDR

Select one of the (HDR) presets. Choose off (default), ST 2084 300,

ST 2084 1000, ST 2084 10000, or HLG.

COLOR TEMPERATURE

Adjusts the color temperature of the on-screen image. Presets are

6500 (default), 7500, 9300, and User. When User mode is selected,

the values of red, green, and blue gain can be set manually from 0

to 255, and are preset to 128. Red, green, and blue offset can be set

manually from 0 to 511 and are preset to 256.

MARKER

FUNCTION

CENTER MARKER

Turning on the center marker places a crosshair at the center of the

screen. The preset is set to off.

ASPECT MARKER

Sets the on-screen aspect marker display. Select from:

16:9

1.85:1

2.35:1

4:3

3:2

1.3X

1.5X

2.0X

2.0X MAG

and off (default)

SAFETY MARKER

Displays an on-screen safety frame marker. Select from 95%, 93%,

90%, 88%, 85%, 80%, and off (default).

SCAN

Determines how the image is displayed based on the settings in

the Aspect and Zoom menus below. Selecting Aspect (default) or

Zoom activates the Aspect or Zoom menus. Selecting Pixel-to-Pixel

turns off scaling and displays the incoming video signal in its native

resolution and aspect ratio with 1:1 pixel mapping.

ASPECT

Available only when Aspect is selected in the Scan menu. Adjusts

the aspect ratio of the incoming video signal and how it is displayed

on-screen. Available settings are:

Full (default)

16:9

1.85:1

2.35:1

4:3

3:2

1.3X

1.5X

2.0X

and 2.0X MAG.

OVERSCAN

If there is a blank area around the active image, turn on this feature

so the active video area lls the screen. The default is set to off.

MARKER COLOR

Changes the color of the on-screen markers. Choose from color

options white (default), black, red, green, and blue.

ASPECT MAT

Available only when an aspect ratio is selected from the Aspect

Marker menu. Adjust the darkness of the area of the screen that’s

outside the aspect marker. Choose from 1 to 7 (lightest to darkest),

or off (default).

THICKNESS

Adjusts the thickness of the on-screen markers. Choose 1 to 7

(thinnest to thickest). The default setting is 2.

H/V DELAY

H/V delay mode highlights the horizontal and vertical blanking

portions of the incoming signal. Select from three delay modes. H

mode delays the horizontal sync. V mode delays the vertical sync.

H/V mode delays both horizontal and vertical sync. The default

setting is off.

CHECK FIELD

When Check Field mode is on, only the selected color information

from the incoming video signal will appear on-screen. Check Field

mode is useful for calibrating the monitor. Select red, green, blue,

mono, or off (default).

ZOOM

Available only when Zoom is selected in the Scan menu. Scales the

incoming video signal. Select 10% to 90%. The default value is 50%.

FREEZE

Selecting on freezes the on-screen image. Selecting off returns to

the live video feed.

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